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Performers and Teachers for 2011

Violin

Richard Deakin

Professor of the Royal Academy of Music, London
International soloist, chamber musician & recitalist

Viola

Matthew Jones

Professor of Trinity College of Music, London
Qualified Alexander teacher
International soloist & chamber musician

Cello

Michal Kaznowski

Former Principal Cello in the City of Birmingham Symphony Orchestra, Cellist of the Maggini String Quartet
Professor of the Purcell School
International soloist and chamber musician

Cello

Alexander Baillie

Professor of the Bremen Hochschule and visiting Guest Professor at London's Royal College of Music
International soloist and chamber musician.
Founder member of ALIA MUSICA in Berlin

Flute

Susan Milan

Professor of the Royal College of Music, London
Former Principal Flute Royal Philharmonic Orchestra
International soloist & chamber musician

Oboe

David Theodore

Professor of the Royal College of Music, London
Former Principal Oboe of the London Philharmonic Orchestra
International soloist & chamber musician

Clarinet

Mark Van de Wiel

Professor of the Royal Academy of Music, London
Principal Clarinet of the Philharmonia Orchestra
International soloist & chamber musician

Bassoon

Martin Gatt

Professor of the Royal College of Music, London
Former Principal Bassoon London Symphony Orchestra
International soloist & chamber musician

Horn

Jasper de Waal

Principal Horn of the Royal Concertgebouw Orchestra
Guest Professor of the Conservatories of Tilburg and The Hague
International soloist and chamber musician

Piano

Andrew Ball

Professor of the Royal College of Music, London
International soloist, chamber musician and recitalist

Harp

Ieuan Jones

Professor of the Royal College of Music, London
International soloist, chamber musician and recitalist

Resident pianists:

  • Anthony Ingham

  • Siu Chui Li

  • Lillian Buss Pearson

  • Annabel Thwaite
Applicants will be accepted for each class in order of receipt of applications. Works are presented for analysis in a friendly non-competitive environment where the emphasis is on the interpretation and technical requirements of the instrument's repertoire and the art of chamber music.